Bill Brand – the screenplays.

This latest volume in the Trevor Griffiths series contains all eleven episodes of the celebrated 1976 Thames TV series Bill Brand, which was the fictional account of a young left-wing Labour MP entering Parliament for the first time and attempting to influence the policies of his largely right-wing Labour government.

The series was conceived on election night in 1974, written and produced over the following two years and transmitted in 1976. This was a time of great political and industrial unrest in Britain; it produced the first minority government (under Harold Wilson) since 1931, and Bill Brand was watched with extreme interest by both the political classes and the wider population. At times it seemed almost uncannily prophetic; and many of the issues it dealt with remain of great contemporary relevance.

The series starred Jack Shepherd as Bill Brand, Arthur Lowe as the Prime Minister, Alan Badel, Peter Howell, Lynne Farleigh, Cherie Lunghi and many other distinguished actors.

Bill Brand has never been shown again, nor is it at present available commercially on dvd. This book is therefore a unique record of a unique television event.

‘… tells us more about Parliament, constituency politics and the Labour Party than the combined writings of most of the Westminster drama critics who masquerade as political commentators.’ New Statesman

‘The most remarkable serial ever seen on the box.’
Sunday Times

978 085124 763 2 - £18.00 - 300 pages - paperback - Available to BUY NOW.

*****
In April 2009, Trevor Griffiths attended a screening of his 1997 BBC film, Food for Ravens, at Side Cinema in Newcastle upon Tyne. Exploring the difficulties in making this wonderful drama about Aneurin Bevan, his talk became an impassioned critique of the way British television has gone.

To watch this video (December 2009 only) please go to http://www.sidetv.net/.

Comments

Keywords: Art, Culture and Society in 1980s Britain

Tate Liverpool: Exhibition 28 February – 11 May 2014 Adult £8.80 (without donation £8) Concession £6.60 (without donation £6) Help Tate by including the voluntary donation to enable Gift Aid Keywords: Art, Culture and Society in 1980s Britain , is a new take on how the changes in the meaning of words reflect the cultural shifts in our society. This dynamic exhibition takes its name and focus from the seminal 1976 Raymond Williams book on the vocabulary of culture and society. An academic and critic influenced by the New Left, Williams defined ‘Keywords’ as terms that repeatedly crop up in our discussion of culture and society. His book contains more than 130 short essays on words such as ‘violence’, ‘country’, ‘criticism’, ‘media’, ‘popular’ and ‘exploitation’ providing an account of the word’s current use, its origin and the range of meanings attached to it. Williams expressed the wish some other ‘form of presentation could be devised’ for his book, and this exhibition i

'Not as dumb as he looks' - Muhammad Ali on Bertrand Russell

In his autobiography The Greatest: My Own Story , Muhammad Ali recounts how Bertrand Russell got in contact with him, and their ensuing correspondence: *** For days I was talking to people from a whole new world. People who were not even interested in sports, especially prizefighting. One in particular I will never forget: a remarkable man, seventy years older than me but with a fresh outlook which seemed fairer than that of any white man I had ever met in America. My brother Rahaman had handed me the phone, saying, ‘Operator says a Mr. Bertrand Russell is calling Mr. Muhammad Ali.’ I took it and heard the crisp accent of an Englishman: ‘Is this Muhammad Ali?’ When I said it was, he asked if I had been quoted correctly. I acknowledged that I had been, but wondered out loud, ‘Why does everyone want to know what I think about Viet Nam? I’m no politician, no leader. I’m just an athlete.’ ‘Well,’ he said, ‘this is a war more barbaric than others, and because a mystique is built up

James Kirkup

James Kirkup has died, aged 91. In 2004 he sent us a copy of No More Hiroshimas . He had originally collected together this volume of hia A-bomb poems in 1983, but it took twenty years before we published it 'as a real book'. James recounts 'My A-Bomb Biography' in his preface. Here are the opening lines of the title poem, No Mor e Hiroshimas . At the station exit, my bundle in hand, Early the winter afternoon's wet snow Falls thinly round me, out of a crudded sun. I had forgotten to remember where I was. Looking about, I see it might be anywhere - A station, a town like any other in Japan, Ramshackle, muddy, noisy, drab; a cheerfully Shallow impermanence: peeling concrete, litter, 'Atomic Lotion, for hair fall-out', a flimsy department store; Racks and towers of neon, flashy over tiled and tilted waves Of little roofs, shacks cascading lemons and persimmons, Oranges and dark-red apples, shanties awash with rainbows Of squid and octopus, shellfish, slabs o

Spokesman Books

Search This Blog