Vanunu on Facebook - 30th September action

Dear Friends and Supporters,

Just a quick update and a suggestion for an action you can take as outlined below. Since our last circular and Mordechai's surprise release from prison, two weeks early, he has left Jerusalem and moved to Tel Aviv. With help from friends he has found a simple place to live, and he tells us he greatly enjoys swimming at least once every day in the sea.

Also, a new appeal, the fifth, regarding Mordechai's restrictions has just been sent to the Supreme Court, but no date has yet been set for the hearing.

Now, for all of you on Facebook we would like to encourage you to take up Mordechai's novel suggestion - below - as well as to circulate the idea as widely as possible with sympathetic groups and people.

Message from Mordechai:
I have a mission for you and others, to ask world wide facebook people, to write on their page on September 30th: "FREEDOM FOR VANUNU NOW," This is 24 years since I lost my freedom 1986-2010. "FREEDOM FOR VANUNU NOW".

Thank you to all who post on their Facebook page/wall, and forward onto others, to appear on 30th September 2010: FREEDOM FOR VANUNU NOW.

Also, check out Mordechai's Facebook - his Friend count is increasing rapidly - this is another way to keep in touch with him and express your support.

For and on behalf of the Campaign for a Nuclear Free Middle East, our best wishes,
Ernest, Hope, David, Marie, Adeline
--
Campaign for a Nuclear Free Middle East
cfnfme@gmail.com

Comments

Keywords: Art, Culture and Society in 1980s Britain

Tate Liverpool: Exhibition 28 February – 11 May 2014 Adult £8.80 (without donation £8) Concession £6.60 (without donation £6) Help Tate by including the voluntary donation to enable Gift Aid Keywords: Art, Culture and Society in 1980s Britain , is a new take on how the changes in the meaning of words reflect the cultural shifts in our society. This dynamic exhibition takes its name and focus from the seminal 1976 Raymond Williams book on the vocabulary of culture and society. An academic and critic influenced by the New Left, Williams defined ‘Keywords’ as terms that repeatedly crop up in our discussion of culture and society. His book contains more than 130 short essays on words such as ‘violence’, ‘country’, ‘criticism’, ‘media’, ‘popular’ and ‘exploitation’ providing an account of the word’s current use, its origin and the range of meanings attached to it. Williams expressed the wish some other ‘form of presentation could be devised’ for his book, and this exhibition i

'Not as dumb as he looks' - Muhammad Ali on Bertrand Russell

In his autobiography The Greatest: My Own Story , Muhammad Ali recounts how Bertrand Russell got in contact with him, and their ensuing correspondence: *** For days I was talking to people from a whole new world. People who were not even interested in sports, especially prizefighting. One in particular I will never forget: a remarkable man, seventy years older than me but with a fresh outlook which seemed fairer than that of any white man I had ever met in America. My brother Rahaman had handed me the phone, saying, ‘Operator says a Mr. Bertrand Russell is calling Mr. Muhammad Ali.’ I took it and heard the crisp accent of an Englishman: ‘Is this Muhammad Ali?’ When I said it was, he asked if I had been quoted correctly. I acknowledged that I had been, but wondered out loud, ‘Why does everyone want to know what I think about Viet Nam? I’m no politician, no leader. I’m just an athlete.’ ‘Well,’ he said, ‘this is a war more barbaric than others, and because a mystique is built up

James Kirkup

James Kirkup has died, aged 91. In 2004 he sent us a copy of No More Hiroshimas . He had originally collected together this volume of hia A-bomb poems in 1983, but it took twenty years before we published it 'as a real book'. James recounts 'My A-Bomb Biography' in his preface. Here are the opening lines of the title poem, No Mor e Hiroshimas . At the station exit, my bundle in hand, Early the winter afternoon's wet snow Falls thinly round me, out of a crudded sun. I had forgotten to remember where I was. Looking about, I see it might be anywhere - A station, a town like any other in Japan, Ramshackle, muddy, noisy, drab; a cheerfully Shallow impermanence: peeling concrete, litter, 'Atomic Lotion, for hair fall-out', a flimsy department store; Racks and towers of neon, flashy over tiled and tilted waves Of little roofs, shacks cascading lemons and persimmons, Oranges and dark-red apples, shanties awash with rainbows Of squid and octopus, shellfish, slabs o

Spokesman Books

Search This Blog