Skip to main content

Public cost of private benefit - A review

Global Auction of Public Assets
Dexter Whitfield
£18.00

Dexter Whitfield has been one of the most well-informed and effective critics of the whole programme of privatisation of Britain's public services, begun by Margaret Thatcher and continued by New Labour. He is the director of the European Services Strategy Unit, continuing the work of the Centre for Public Services, which he founded in 1973, and has more recently sought to spread his critique worldwide, as more and more countries have begun to move their social infrastructure from a public service into private profit-making businesses. This new book is the result of this extension of his interest. It is, as were his earlier books on the attack on UK public services, both thoroughly researched and immaculately presented.

What began as a specifically British exercise by Thatcher to strengthen the power of capital in relation to labour has been taken up by giant corporations of capital operating in both the developed and developing world. It is the claim of all the new forms of infrastructure organisation that they are public private partnerships is generally a very unequal one.

Dexter Whitfi eld describes it as 'public cost and private benefit'. In this book he presents detailed accounts ot PPPs not only in Europe, where his new strategy unit is based, but in the US, Australia, South Africa, India, Brazil, Russia and even
China. As the PPPs spread across the world, more and more of the giant international finance and commercial corporations become involved. Whitfield concludes that, because the relative scale of manufacturing in the g1oba1 economy is declining, investment in the infrastructure becomes of increasing interest for international capital.

The privatisation process began with the physical infrastructure the railways and roads, energy supplies and telecommunications. But Whitfield shows how it is being extended into social provision. The privatisation of social infrastructure has been seen by many commentators simply as a means for governments to finance projects, especially buildings, without increasing their capital expenditure beyond their budget limits. The PPP private partners, however, have begun increasingly to take over more responsibility for whole projects – not just for the building, but for the governance management, consultancy, employment of staff, receipt of revenues, and reinvestment of funds.

This has the effect of removing from national or local public control and accountability the operation of social services. Health and education are key examples, where Whitfield shows particular cases of the shift in responsibilities for a social service.

The analysis in this book is closely related to the latest developments in the worldwide financial crisis and in governments' responses to the dangers of climate change. Whitfield is able to show the extent to which the private ownership of public assets, and the income streams flowing from them, are used by financial institutions as leverage for further profitable lending. The state guarantees that are generally present in social infrastructure provide a base for private speculative activity in what has become a casino of public finances.

At the same time, the effects of climate change are demanding increasing expenditure from governments on national infrastructure that can provide some degree of protection against rising sea levels, more and more damaging storms, heavier rainfall in some areas, drought in others. Extended investment to meet these demands cannot be left to a casino,

The arguments that have been employed in favour of privatisation are shown by Whitfield to be largely spurious. The chief of these is that the costs in the public sector are higher than in private provision. Whitfield shows this is manifestly untrue when all costs incurred in the long run are taken into account.

It is also said that public projects frequently over-run their budget in time and cost. Whitfield shows that such claims are seriously flawed and cannot always be checked because so-called commercial secrecy can be invoked by private suppliers to prevent publication.

Finally, there is an argument about innovatory design and managerial efficiency, which is said to favour privatisation. This can be easily refuted by the large number of PPP projects that Whitfield lists as abandoned, distressed or failed.

It is a pretty well unanswerable case that Whitfield mounts in defence of the public sector – and well worth quoting for its wide-ranging assembly of the evidence.

Michael Barratt Brown in Red Pepper, Feb/March 2010

Comments

Popular posts from this blog

Keywords: Art, Culture and Society in 1980s Britain

Tate Liverpool: Exhibition 28 February – 11 May 2014 Adult £8.80 (without donation £8) Concession £6.60 (without donation £6) Help Tate by including the voluntary donation to enable Gift Aid Keywords: Art, Culture and Society in 1980s Britain , is a new take on how the changes in the meaning of words reflect the cultural shifts in our society. This dynamic exhibition takes its name and focus from the seminal 1976 Raymond Williams book on the vocabulary of culture and society. An academic and critic influenced by the New Left, Williams defined ‘Keywords’ as terms that repeatedly crop up in our discussion of culture and society. His book contains more than 130 short essays on words such as ‘violence’, ‘country’, ‘criticism’, ‘media’, ‘popular’ and ‘exploitation’ providing an account of the word’s current use, its origin and the range of meanings attached to it. Williams expressed the wish some other ‘form of presentation could be devised’ for his book, and this exhibition i

'Not as dumb as he looks' - Muhammad Ali on Bertrand Russell

In his autobiography The Greatest: My Own Story , Muhammad Ali recounts how Bertrand Russell got in contact with him, and their ensuing correspondence: *** For days I was talking to people from a whole new world. People who were not even interested in sports, especially prizefighting. One in particular I will never forget: a remarkable man, seventy years older than me but with a fresh outlook which seemed fairer than that of any white man I had ever met in America. My brother Rahaman had handed me the phone, saying, ‘Operator says a Mr. Bertrand Russell is calling Mr. Muhammad Ali.’ I took it and heard the crisp accent of an Englishman: ‘Is this Muhammad Ali?’ When I said it was, he asked if I had been quoted correctly. I acknowledged that I had been, but wondered out loud, ‘Why does everyone want to know what I think about Viet Nam? I’m no politician, no leader. I’m just an athlete.’ ‘Well,’ he said, ‘this is a war more barbaric than others, and because a mystique is built up

James Kirkup

James Kirkup has died, aged 91. In 2004 he sent us a copy of No More Hiroshimas . He had originally collected together this volume of hia A-bomb poems in 1983, but it took twenty years before we published it 'as a real book'. James recounts 'My A-Bomb Biography' in his preface. Here are the opening lines of the title poem, No Mor e Hiroshimas . At the station exit, my bundle in hand, Early the winter afternoon's wet snow Falls thinly round me, out of a crudded sun. I had forgotten to remember where I was. Looking about, I see it might be anywhere - A station, a town like any other in Japan, Ramshackle, muddy, noisy, drab; a cheerfully Shallow impermanence: peeling concrete, litter, 'Atomic Lotion, for hair fall-out', a flimsy department store; Racks and towers of neon, flashy over tiled and tilted waves Of little roofs, shacks cascading lemons and persimmons, Oranges and dark-red apples, shanties awash with rainbows Of squid and octopus, shellfish, slabs o