Skip to main content

Ayşe Berktay, Turkey

Ayse Berktay, friend of the Russell Foundation for many years, has now been acknowledged by PEN America and awarded the 2013 PEN/Barbara Goldsmith Freedom to Write prize. Here is here acceptance speech, written in prison in Turkey, where she has been held without bail since October 2011 (see Spokesman issues 115, 119, 120)


Ayşe Berktay in Bakırköy Women’s Prison. Photo courtesy Ali Berktay

STATUS: On Trial
Ayşe Berktay is a translator, scholar, author, and cultural and women’s rights activist. Her publications include History and Society: New Perspectives, 2008, and The Ottoman Empire and the World Around with Suraiya Faroqhi; and she is the editor of Women and Men in the 75th Year of the Turkish Republic. Her translations include The Imperial Harm: Gender and Power in the Ottoman Empire, 1520-1656 by Leslie Penn Pierce; and The Ottoman Empire, 1700-1922 (New Approaches to European History) by Donald Quataert.

Over the past decade, Ayşe conducted work at the History Trust, where she was part of the Prime Minister’s Advisory Board on Human Rights; the Women’s Human Rights Trust, where she prepared publications; the Compatriots for Peace Initiative; the Truth Behind Diyarbakir Prison Research and Justice Commission, where, in 2008, she met with individual prisoners that had been detained from 1980 to 1984; and the Women for Peace Initiative.

In December 2009 Ayşe became a member of the pro-Kurdish Peace and Democracy Party (BDP), which has 36 elected representatives in the Turkish Parliament. In March 2010 she was elected to the BDP Istanbul Province Executive, where she worked in the Press Committee. In October 2010 she was elected to the BDP Central Women’s Committee, where she worked in the Foreign Relations Office.

Berktay is the recipient of the 2013 PEN/Barbara Goldsmith Freedom to Write Award.

Current Status
In a November 2012 letter sent from prison, Ayşe Berktay writes: “Growing up, I learned that it is a virtue to oppose injustice, inequality and unfairness. I was taught to read, research, to question, and never stop learning. I’ve never lost hope on our belief that our conflicts can be resolved through democratic means and not with violence. We have something to say about peace, and the power to make it a reality. We still do.”

Ayşe Berktay is currently being held in Bakirköy Women’s Prison in Istanbul. If convicted of the charge of "membership in an illegal organization," she could face up to 15 years in prison. Her trial, like many others swept up in this crackdown, is ongoing. Her last hearing was on March 14, 2013.

Case History
Police arrested Ayşe Berktay and raided her home at 5:00 a.m. on October 3, 2011, and seized personal papers and materials, though no arrest or search warrant had been issued. She was eventually charged under Turkey’s anti-terror legislation of “membership in an illegal organization” for allegedly “planning to stage demonstrations aimed at destabilizing the state, plotting to encourage women to throw themselves under police vehicles so as to create a furor, and attending meetings outside Turkey on behalf of the Kurdistan Communities Union (KCK),” a banned pro-Kurdish party. The indictment specifically refers to international conferences she attended, where she is accused of having served as the organization’s “international advocate.” Ayşe Berktay is one of more than 1,800 people, including many writers and academics, who have been swept up in mass arrests of supporters of Kurdish rights in Turkey.

Writings by Ayşe Berktay
Ayşe Berktay's Acceptance Remarks

I Do Not Accept This Indictment

Ayşe Berktay’s Summary of Her Situation and Proposals: December 2011

Take Action
Your voice matters. The simplest and most effective response to censorship is to spread the word. Use our ACTION TOOLS to send a letter calling for Ayşe Berktay's release. Then share this page and get the word out.

SEND A LETTER TO TURKISH AUTHORITIES

Comments

Popular posts from this blog

Keywords: Art, Culture and Society in 1980s Britain

Tate Liverpool: Exhibition 28 February – 11 May 2014 Adult £8.80 (without donation £8) Concession £6.60 (without donation £6) Help Tate by including the voluntary donation to enable Gift Aid Keywords: Art, Culture and Society in 1980s Britain , is a new take on how the changes in the meaning of words reflect the cultural shifts in our society. This dynamic exhibition takes its name and focus from the seminal 1976 Raymond Williams book on the vocabulary of culture and society. An academic and critic influenced by the New Left, Williams defined ‘Keywords’ as terms that repeatedly crop up in our discussion of culture and society. His book contains more than 130 short essays on words such as ‘violence’, ‘country’, ‘criticism’, ‘media’, ‘popular’ and ‘exploitation’ providing an account of the word’s current use, its origin and the range of meanings attached to it. Williams expressed the wish some other ‘form of presentation could be devised’ for his book, and this exhibition i...

'Not as dumb as he looks' - Muhammad Ali on Bertrand Russell

In his autobiography The Greatest: My Own Story , Muhammad Ali recounts how Bertrand Russell got in contact with him, and their ensuing correspondence: *** For days I was talking to people from a whole new world. People who were not even interested in sports, especially prizefighting. One in particular I will never forget: a remarkable man, seventy years older than me but with a fresh outlook which seemed fairer than that of any white man I had ever met in America. My brother Rahaman had handed me the phone, saying, ‘Operator says a Mr. Bertrand Russell is calling Mr. Muhammad Ali.’ I took it and heard the crisp accent of an Englishman: ‘Is this Muhammad Ali?’ When I said it was, he asked if I had been quoted correctly. I acknowledged that I had been, but wondered out loud, ‘Why does everyone want to know what I think about Viet Nam? I’m no politician, no leader. I’m just an athlete.’ ‘Well,’ he said, ‘this is a war more barbaric than others, and because a mystique is built up ...

James Kirkup

James Kirkup has died, aged 91. In 2004 he sent us a copy of No More Hiroshimas . He had originally collected together this volume of hia A-bomb poems in 1983, but it took twenty years before we published it 'as a real book'. James recounts 'My A-Bomb Biography' in his preface. Here are the opening lines of the title poem, No Mor e Hiroshimas . At the station exit, my bundle in hand, Early the winter afternoon's wet snow Falls thinly round me, out of a crudded sun. I had forgotten to remember where I was. Looking about, I see it might be anywhere - A station, a town like any other in Japan, Ramshackle, muddy, noisy, drab; a cheerfully Shallow impermanence: peeling concrete, litter, 'Atomic Lotion, for hair fall-out', a flimsy department store; Racks and towers of neon, flashy over tiled and tilted waves Of little roofs, shacks cascading lemons and persimmons, Oranges and dark-red apples, shanties awash with rainbows Of squid and octopus, shellfish, slabs o...