Skip to main content

agit8: a Found Film


"agit8" was a live event held at the Tate Modern on the Southbank from the 11th June - 13th June, just ahead of the G8 summit, with the aim of inspiring the next generation of activists to 'get on their soapboxes' and pressurize the G8 to take action to help eradicate extreme poverty by 2030.

We spent six weeks working directly with Richard Curtis and ONE to conceive and create 30 minutes of original content, which was projected on to the facade of the Tate Modern. The final product is part art installation, part documentary film and it involved working with a range of techniques and mixed media - incorporating music, speech, video, animation and motion graphics.

Once we had the rough concept sketched out, the team went about enlisting some of the biggest names in music today, as well as actors such as Colin Firth and Chiwetel Ejiofor, to contribute protest songs and speeches that were then woven into the film. We also commissioned a number of artists, illustrators and animators to create individual pieces of work to bring particular aspects of the story to life. The finished film takes a kaleidoscopic tour through some of the biggest protest movements of the last 100 years – from Civil Rights, Apartheid and Occupy, right the way up to the most pressing issue of our times : Extreme Poverty.

Global Creative Director, ONE Campaign: Roxane Philson
Writer and Executive Producer: Richard Curtis
Production Company: FOUND

The film can be watched via the Found website.

 

***

Colin Firth's introduction to The People Speak: Voices that changed Britain can be found in The Spokesman 119, The Kurdish Question in Turkey.

Comments

Popular posts from this blog

Keywords: Art, Culture and Society in 1980s Britain

Tate Liverpool: Exhibition 28 February – 11 May 2014 Adult £8.80 (without donation £8) Concession £6.60 (without donation £6) Help Tate by including the voluntary donation to enable Gift Aid Keywords: Art, Culture and Society in 1980s Britain , is a new take on how the changes in the meaning of words reflect the cultural shifts in our society. This dynamic exhibition takes its name and focus from the seminal 1976 Raymond Williams book on the vocabulary of culture and society. An academic and critic influenced by the New Left, Williams defined ‘Keywords’ as terms that repeatedly crop up in our discussion of culture and society. His book contains more than 130 short essays on words such as ‘violence’, ‘country’, ‘criticism’, ‘media’, ‘popular’ and ‘exploitation’ providing an account of the word’s current use, its origin and the range of meanings attached to it. Williams expressed the wish some other ‘form of presentation could be devised’ for his book, and this exhibition i...

'Not as dumb as he looks' - Muhammad Ali on Bertrand Russell

In his autobiography The Greatest: My Own Story , Muhammad Ali recounts how Bertrand Russell got in contact with him, and their ensuing correspondence: *** For days I was talking to people from a whole new world. People who were not even interested in sports, especially prizefighting. One in particular I will never forget: a remarkable man, seventy years older than me but with a fresh outlook which seemed fairer than that of any white man I had ever met in America. My brother Rahaman had handed me the phone, saying, ‘Operator says a Mr. Bertrand Russell is calling Mr. Muhammad Ali.’ I took it and heard the crisp accent of an Englishman: ‘Is this Muhammad Ali?’ When I said it was, he asked if I had been quoted correctly. I acknowledged that I had been, but wondered out loud, ‘Why does everyone want to know what I think about Viet Nam? I’m no politician, no leader. I’m just an athlete.’ ‘Well,’ he said, ‘this is a war more barbaric than others, and because a mystique is built up ...

James Kirkup

James Kirkup has died, aged 91. In 2004 he sent us a copy of No More Hiroshimas . He had originally collected together this volume of hia A-bomb poems in 1983, but it took twenty years before we published it 'as a real book'. James recounts 'My A-Bomb Biography' in his preface. Here are the opening lines of the title poem, No Mor e Hiroshimas . At the station exit, my bundle in hand, Early the winter afternoon's wet snow Falls thinly round me, out of a crudded sun. I had forgotten to remember where I was. Looking about, I see it might be anywhere - A station, a town like any other in Japan, Ramshackle, muddy, noisy, drab; a cheerfully Shallow impermanence: peeling concrete, litter, 'Atomic Lotion, for hair fall-out', a flimsy department store; Racks and towers of neon, flashy over tiled and tilted waves Of little roofs, shacks cascading lemons and persimmons, Oranges and dark-red apples, shanties awash with rainbows Of squid and octopus, shellfish, slabs o...