Skip to main content

Aghet - A Genocide

The following information on the film 'Aghet' was sent to us by Khatchatur Pilikian, courtesy of the London Socialist Film Co-op:

Two years back, in 2013, our LSFC planned a joint film event with SHS, LH and CAIA. We had in mind to show the much acclaimed German documentary about the Genocide of the Armenians, titled AGHET.
But, alas, it was not to be, because of the financial burden of the need to pay at least 20 license holders ... Albeit, and happily so, AGHET is now on YouTube, and free to see. Hence I wrote to my colleagues in the above organisations, suggesting to circulate widely to our members the YouTube link of the documentary, with a note to post it on our Newsletters too. I am happy to say it was agreed enthusiastically.

***

An Award-Winning Documentary - 1915 AGHET
The Armenian Genocide (In English) - Duration: 1:33:02

April 24th 2015 is the 100th Remembrance Day of the Genocide of the Armenians. Here is a documentary produced by German Public Television, now in English too, where an impeccable cast of actors personify historical figures retelling their eyewitness accounts of the politics of the Armenian Genocide, including testimonies of Ambassador Morgentau and Raphael Lemkin.

Comments

Popular posts from this blog

'Not as dumb as he looks' - Muhammad Ali on Bertrand Russell

In his autobiography The Greatest: My Own Story , Muhammad Ali recounts how Bertrand Russell got in contact with him, and their ensuing correspondence: *** For days I was talking to people from a whole new world. People who were not even interested in sports, especially prizefighting. One in particular I will never forget: a remarkable man, seventy years older than me but with a fresh outlook which seemed fairer than that of any white man I had ever met in America. My brother Rahaman had handed me the phone, saying, ‘Operator says a Mr. Bertrand Russell is calling Mr. Muhammad Ali.’ I took it and heard the crisp accent of an Englishman: ‘Is this Muhammad Ali?’ When I said it was, he asked if I had been quoted correctly. I acknowledged that I had been, but wondered out loud, ‘Why does everyone want to know what I think about Viet Nam? I’m no politician, no leader. I’m just an athlete.’ ‘Well,’ he said, ‘this is a war more barbaric than others, and because a mystique is built up ...

Safe at Work?

Dave Putson, Spokesman, 183 pages, paperback, £15 How many times have the tabloid headlines screamed: ‘Health and safety gone mad!’ The idea that the rules governing our health and safety are an ‘albatross around the neck of British businesses’, as David Cameron announced recently, gives a clue to the reasoning behind the media offensive. Dave Putson’s book, Safe at Work? is a welcome riposte. Putson, a health and safety rep for London courts, traces the development of health and safety legislation, from the campaign to eradicate ‘phossy jaw’ suffered by Victorian match women and legal disputes over compensation, to the role of factory inspectors. Before the comprehensive 1974 health and safety legislation, there was carnage across industry, with death and serious injury at work commonplace. The new laws were an important breakthrough, yet the number of people who still lose their lives or contract serious illness is frighteningly high – in 2012-13 some 148 people died at...

Keywords: Art, Culture and Society in 1980s Britain

Tate Liverpool: Exhibition 28 February – 11 May 2014 Adult £8.80 (without donation £8) Concession £6.60 (without donation £6) Help Tate by including the voluntary donation to enable Gift Aid Keywords: Art, Culture and Society in 1980s Britain , is a new take on how the changes in the meaning of words reflect the cultural shifts in our society. This dynamic exhibition takes its name and focus from the seminal 1976 Raymond Williams book on the vocabulary of culture and society. An academic and critic influenced by the New Left, Williams defined ‘Keywords’ as terms that repeatedly crop up in our discussion of culture and society. His book contains more than 130 short essays on words such as ‘violence’, ‘country’, ‘criticism’, ‘media’, ‘popular’ and ‘exploitation’ providing an account of the word’s current use, its origin and the range of meanings attached to it. Williams expressed the wish some other ‘form of presentation could be devised’ for his book, and this exhibition i...